Feminist Reading of the “Murder in the Cathedral", Especially Mentioning About the Chorus

 Introduction

A feminist reading of T.S. Eliot's "Murder in the Cathedral" unveils intriguing layers of gender dynamics, power, and agency within the context of the play. While the primary narrative focuses on the martyrdom of Thomas Becket, a closer examination reveals the presence and role of women, particularly through the Chorus, which provides a platform for exploring patriarchal norms and the struggle for women's voices to be heard.

The Chorus, comprised of the women of Canterbury, serves as a collective voice representing the community's thoughts, fears, and perspectives. However, it's important to note that the Chorus predominantly consists of women, which aligns with the historical and societal context of women being confined to specific roles and limited agency. This limited agency is reflected in the Chorus's representation of passive spectators, reflecting the traditional roles women were often confined to during the period.

While the Chorus may initially appear subservient, a feminist reading allows us to recognize that their collective voice is a force to be reckoned with. Their concerns, fears, and doubts reflect the broader anxieties of the community. The Chorus, through their words, offers a subtle critique of patriarchal power structures, even though they remain largely in the background of the central narrative.

Furthermore, the Chorus's presence serves as a counterpoint to the assertive actions of the male characters. In a society where men held positions of authority and political power, the Chorus becomes a symbol of women's marginalized role, echoing the broader theme of societal silencing of women's voices. This dynamic emphasizes the feminist struggle to overcome traditional gender norms and claim space within male-dominated spheres.

The Chorus also represents the emotional and spiritual backbone of the community, reflecting the strength that women often provide behind the scenes. Their expressions of fear, hope, and communal unity mirror the roles women played in upholding social and spiritual cohesion within their families and communities. In this sense, the Chorus embodies a feminist reinterpretation of the "hidden figures" whose contributions are often overlooked in historical narratives.

Conclusion

A feminist reading of "Murder in the Cathedral" invites us to acknowledge the complexities of women's roles in historical contexts and the nuanced ways they navigate power dynamics. The Chorus, while seemingly relegated to a supportive role, hints at the resilience and strength of women in the face of patriarchal norms. Through their collective voice, they subtly challenge these norms by voicing concerns and emotions that cut across gender boundaries, making a case for the importance of women's perspectives within the broader societal narrative.