Significance of the Title of Murder in the Cathedral

 

Introduction

The title "Murder in the Cathedral" holds profound significance in T.S. Eliot's play and serves as a key thematic and symbolic element. Through this title, Eliot encapsulates the central conflict, themes, and atmosphere of the play, setting a tone that combines historical drama, spiritual reflection, and the exploration of human motives.

The title "Murder in the Cathedral" immediately establishes a central event that shapes the narrative. The term "murder" is laden with connotations of violence, crime, and transgression, while "cathedral" invokes a sense of sacredness, spirituality, and tradition. This juxtaposition captures the essence of the play's core conflict: the assassination of Thomas Becket, the Archbishop of Canterbury, within the sanctuary of a cathedral.

The title's dual nature also sets the tone for the play by introducing a profound contrast. The cathedral, traditionally a space of holiness and reverence, becomes the site of a gruesome act, highlighting the tension between the divine and the human, the sacred and the profane. This contrast foreshadows the themes that will unfold, such as the clash between secular and religious authority, the struggle for power, and the complexities of faith and martyrdom.

Thomas Becket

Eliot's choice of the word "murder" rather than "assassination" is deliberate. It implies an act of violence that defies the sanctity of the cathedral, an act that is shocking and morally troubling. This emphasizes the play's exploration of ethical dilemmas and the inherent conflict between worldly ambitions and spiritual ideals. The word "murder" also implies a sense of inevitability, as Becket's death is historically known, emphasizing the play's focus on fate and destiny.

The title's emphasis on the location, the cathedral, adds layers of meaning. Cathedrals are not just physical structures; they are symbols of religious authority, tradition, and the connection between the divine and the earthly. By placing the murder within a cathedral, Eliot raises questions about the role of the church, the influence of religious leaders, and the complexities of faith in the face of power struggles.

Furthermore, the title encapsulates the historical context of the play. "Murder in the Cathedral" is based on the actual events surrounding the assassination of  Thomas Becket in 1170. This historical grounding adds weight to the narrative, making it more than just a fictional drama. The title invites the audience to engage with the play as both a reflection on historical events and a commentary on timeless themes of human nature, power, and spiritual devotion.

The tone set by the title is one of foreboding and contemplation. The concept of murder within the sacred space of a cathedral immediately creates a sense of unease, inviting the audience to grapple with questions of morality and the complexities of human actions. As the title suggests, the play will delve into the internal and external conflicts that lead to the murder, exploring the motivations of the characters and their moral dilemmas.

Conclusion

In conclusion, the title "Murder in the Cathedral" serves as a multifaceted entry point into T.S. Eliot's play. It encapsulates the central event, themes, and contrasts that define the narrative. Through this title, Eliot introduces a juxtaposition between violence and sanctity, the secular and the spiritual, setting a tone of tension and reflection. The title's significance lies not only in its historical basis but also in its invitation to explore timeless questions about power, faith, morality, and the intricate interplay between human actions and divine presence.